power, discovery and the fascination of reading, its impact on the imagination and identificatory process in Cervantes, in Don Quixote: evolution of a character in a novel to understand the evolution of society
sequence the novel Don Quixote, Miguel Cervantes' The Ingenious Hidalgo Don
Quixote
Chapter 1
Sequence 1: The fictional character : fantasy mythological being of flesh.
Problem: How the changing character of the novel allows us to understand the evolution of society and its expectations for literature?
text studied in this sequence:
Preview The Pricess of Cleves by Madame de La Fayette.
From Don Quixote Miguel Cervantes.
Preview of 1984 by George Orwell.
Excerpt From Les Miserables by Victor Hugo.
Don Quixote excerpt, read the text, study: issues, problems, opening for the maintenance of intertextuality bin
Request from Sofia, member of the forum, the first ES
Reading Text: Volume 1, Chapter 2
Don Quixote excerpt:
Travelers dreaming of adventures and chivalric values, Don Quixote and his squire Sancho Panza, the hero of the novel by Miguel de Cervantes, highlight, through the effects of shifts, the differences between Spain romantic that they embody and the real, in which they live. The following excerpt shows them arriving at a tavern.
There was adventure at the door of the tavern two young women, those that we call our sisters, which went to Seville with carriers who met that evening at the lodge in the same tavern, and as our adventurer everything he thought, saw, or imagined, seemed to be done and happen the same way he had read, at once that he saw the tavern, he represented that it 'was a castle with four towers and gleaming silver capitals, without its there lacked even a drawbridge and moat hollow, with all accessories and parts that are usually similar in castles. It 's approached the tavern, which seemed castle, and at small line thereof, kept Rocinante, waiting for some dwarf put himself between the slots to give the signal with a trumpet he arrived at the castle a knight, but as he saw that it was late and that Rocinante was hurrying finally arriving at the stable, he approached the door of the tavern and saw the two girls who were laid off there, which seemed to him two fair maidens or two graceful ladies s 'ébattait before the castle gate.
In the meantime, it happened that a swineherd who gathered among the stubble a herd of pigs (for, excuse unless they are called) sounded a horn, the sound of which they are collected, and the time is represented in Don Quixote what he wanted, and that was that some dwarf give the signal of his coming, and and, with extreme satisfaction, he came to the tavern and the ladies, which, as they saw an armed man coming so, with spear and shield, while terrified wanted to withdraw inside the tavern, but Don Quixote, including for their flight that they were frightened, shrugged his pasteboard visor, and discovered his face dry and dusty, a gentle manner and a calm voice said: "May your Thanksgiving does not leak nor fear that they do no displeasure, since it does not belong neither to the seemly order of knighthood which I profess, to harm anyone, how least at such high damsels as demonstrated by your people. "The girls looked at him and tried to see her face, hiding their bad visor. But, as those provisions call damsels heard, something that was so far from their profession, they were able to keep from laughing, so that Don Quixote came to get angry and say, "Modesty is the beautiful and decorous is great folly to laugh that makes light of the facts, but I do not say that ye sorrow or show of discontent, because my intention is simply to serve you. "
Explanations: Analytical Reading
Introduction:
's novel Don Quixote is an adventure novel which introduces a new genre: the picaresque in which a hero is alone and has a succession of adventures. The adventure of the windmills is the best known because it perfectly characterizes the central character Don Quixote. Indeed, it does not give up its illusions and hiding in an imaginary world despite efforts by Sancho Panza to get him back to reality. Besides the appearance and light fancy text, we must see a more profound agreement with the times.
First, we study the linking of two worlds, the universe and the universe trivial ideal. Beyond this opposition, secondly we shall see how the look is fun but still critical.
Problem: How
the changing character of the novel allows us to understand the evolution of society and its expectations for literature ?
Detailed Plan Development:
I) The linking of two worlds
A) the universe
trivial.
prostitutes. Porchet the
.
Tavern B) the universe
ideal. the imagination of Don Quixote
. Everything turns its eyes
. juxtaposition of two worlds being performed entirely by the sound of the horn.
. Nothing can break this world not even the mockery of prostitutes.
II) A critical look amused and
. Narrator present through the implicit cemmentaire and explicit.
. He says, and insists on trivalité to denounce the social idealization in the chivalric romance novel but also in the seventeenth century.
. There is a play on the shift to mock Don Quixote, he is described as a character of paper.
. Thus the character is unreal and ridiculous and plays the role of an actor.
. Sympathy for quixotic as it is a victim and that is littéraure which has made it so.
. The author therefore believes that the littéraure must describe reality, not an ideal fiction.
Conclusion:
The insistence of the author on the world trivalité and offset of novels, céent a review of the literature that is too far from reality.
This novel shows the shift of issues (idealism - realism). In this novel parody, Cervantes chooses realism. Opening
possible:
power, discovering reading, Proust, Sartre, Vallès ...
Intertextuality possible, see the link:
http://docremuneres.forumparfait.com/pouvoir-decouverte-de-la-lecture-proust-sartre-valles-vt2099.html
Notes:
The nature of the novel
"The nature of the novel, if known, the novels were written by officials. The themes of the novels would be saved on software, novels composed by computer. The nature of the novel is unknown. She flies under the spirit of who wrote the novel as the woman flees, while indulging in the hands of her lover, while his own imagination wanders. The nature of the novel is the absence. The novel is not only mobile, he is moving, it turns while it unfolds, it never ignores the next word. The nature of the novel is infinity. The novel is the autobiography in action. The novelist is a creation of each moment. He says " I 'for lie. It affirms man and woman, angel and monster, a young man and old man. He died as many times as necessary. He loves tirelessly. The nature of the novel is sex. The novel is a sexual act. The nature of the novel is a redheaded woman in a dark room, who covets a movie actor. "Earlier, at home, Lexington Avenue. "She closes her eyes and sinking nails into his palms. The nature of the novel is an old man sitting on a folding chair, neck protected from the sun by a handkerchief, looking motionless, dusty landscape. He drinks a orchiatta that brings him a young waiter, whom he believes is vaguely recognize, and drawing from his pocket a book, he attempts to Note that a memory of him comes through the mind. His hand trembles. The nature of the novel is war between desire and memory, between writing and time. The nature of the novel is the impossible. "
Bourgeade Pierre, The nature of the novel
Second part of the interview in French: Issues in oral
I - questions about biography of Cervantes
- Who is Cervantes?
- Locate a century in his
- What is his masterpiece?
- Can we say that Cervantes is the greatest figure in English literature and One of the greatest writers of all time? If yes, why?
- Name one other work by Cervantes
II - Questions about the book Don Quixote de la Mancha
- Can it be said of Don Quixote qui'l is a fine example of a picaresque novel?
- When the second part of the book is it published?
- When both parties are they published?
- In what sense can we speak of influence?
- What do you think of this novel?
Finding answers to these two sets of questions refer to the biography of Cervantes:
Miguel de Cervantes Saavedra (29 September 1547 in Alcalá de Henares - April 23, 1616 in Madrid), is a novelist, poet and playwright English universally famous for his novel The Ingenious Hidalgo Don Quixote de la Mancha, recognized as the first modern novel.
Miguel de Cervantes initially leads an adventurous life as a soldier and fought in the Battle of Lepanto in 1571 where he lost the use of one hand, paralyzed by nerve section and uncut as can think of his nickname Manchot of Lepanto. Captured on his return to Spain by the Barbary pirates in 1575, it remains captive in Algiers despite his escape attempts until 1580 when it was bought at the same with other English prisoners.
Married and separated from his wife and various positions, he then threw himself into writing and post-pastoral novel La Galatea in 1585, that in 1605 he published the first of what will be its chief Manager: The Ingenious Gentleman Don Quixote de la Mancha, the second part did not appear until 1615. His parody of grand romances of chivalry and the creation of mythical characters of Don Quixote, Sancho Panza and Dulcinea Cervantes have made the greatest figure in English literature and one of the greatest writers of all time.
In 1605, he published the first of what will his masterpiece: The Ingenious Gentleman Don Quixote de la Mancha. He scoffs of the most pleasant taste of romantic adventures and chivalrous that dominated in his time. This work marked the end of realism as a literary aesthetic, created the genre of the modern novel that will have a great influence and is probably the finest example of a picaresque novel. The second part does not appear before 1615: The ingenious knight Don Quixote de la Mancha. This part gets two years after the publication of a series of mysterious fake signed Alonso Fernández de Avellaneda, which some historians, was none other than the writer Lope de Vega, or at least one of his disciples and friends, a native of Aragon (believed also to a group of friends to Lope).
Both works give him a status in the history of world literature, along with Dante Alighieri, William Shakespeare, Rabelais, and Goethe as an author must of Western literature. Honore de Balzac tribute in his foreword to the Human Comedy, which he cites as one of his inspirations alongside Goethe and Dante. And more precisely in Lost Illusions, where he described Don Quixote sublime
House occupied by the writer in Valladolid between 1604 and 1606 and could coincide with the publication of the first edition of Don Quixote in 1605. It is now a muséeEntre both parts of Don Quixote appeared in 1613 the New copies. It is a collection of twelve short stories, written many years ago.
The influence of Cervantes in the world literature was such that English is often called the "language of Cervantes."
He died in Madrid April 23, 1616 where he is buried with his wife, daughter and that of Lope de Vega, the convent of Las Trinitarias
Presentation Wikipedia:
http://fr.wikipedia .org / wiki / Miguel_de_Cervantes
III - Questions about the sample:
The staging of both worlds:
- Show how the power of reading the novels of chivalry, the hero reflects on his vision of reality.
- In what sense can one speak of an opposition of two worlds? Quote text
- Raise the lexical field on the trivial universe
- What are the elements symbolizing the universe? Quote text.
- How do you see the ideal world?
- Analyze the vocabulary that reflects the imagination of Don Quixote. Quote text and note the contrast effects.
- Can we talk about transformation of reality?
- In what sense can we say that everything is transformed in his eyes?
- What role plays cornet on?
- The juxtaposition of two worlds you it totally takes the sound of the horn?
- How he reacts to Don Quixote and mocking laughter of prostitutes?
- This changes the behavior you it?
The look amused and critical
- Which point of view the narrator takes on?
- In what sense can one speak of an amused and critical?
- How does the narrator inist you it on the trivial?
- Seeking to you it denounce the social idealization in the novel of chivalry and romance in the seventeenth century?
- How do we perceive the game on the shift of Don Quixote to mock?
- What image we have of Don Quixote? Quote text.
- Beyond this aspect, how the author thinks you it literature?
- Does it describe reality or fiction?
- What is the main criticism of literature?
Look it:
Study of Don Quixote, Cervantes
Chapter 1: The novel study, questions, problems opening
http://docremuneres.forumparfait.com/don-quichotte-cervantes-chapitre-1-etude-questions-pb-vt2528.html
Chapter 2: The novel, studying, reading extract, problems, issues, problems, links around the sequence "the novel, complementary texts
http://docremuneres.forumparfait.com/don-quichotte-cervantes-tome-1-chapitre-2 vt2525.html-
Apply link aggregation of documents, studies and fact sheets about bin sequences French vat: AN EXAMPLE CLUSTER LINKS
footage first ES series: Sofia, forum member
Sequence: The novel
Sequence 1: The character of the novel: fantasy mythological being of flesh.
Problem: How the changing character of the novel allows us to understand the evolution of society and its expectations for literature?
text studied in this sequence:
Preview The Princess of Cleves Madame de La Fayette.
From Don Quixote Miguel Cervantes.
Preview of 1984 by George Orwell.
Excerpt From Les Miserables by Victor Hugo.
Others: Additional texts: consult (the additional texts are essential to prepare for your interview)
Excerpt from Book III of "Metamorphoses" of Ovid.
From The Red and the Black by Stendhal. Excerpt from
Horla de Maupassant. Preview
Mirror leaking of Giovanni Papini.
table Johannes Gumpp "Self-portrait".
Extract Money by Emile Zola.
From "Antony" by Alexandre Dumas.
From The Lover by Harold Pinter.
Excerpt from scene 9 of Act III of Turkey by Georges Feydeau. Links with reference to the sequence "the novel"
Studies, questions, problems, texts openings
Don Quixote, Miguel Cervantes http://docremuneres.forumparfait.com / power-discovery-of-the-reading-proust-sartre-valles-vt2099.html
Geor Orwell, 1984
http://docremuneres.forumparfait.com/george-orwell-vf190.html
Additional texts, Zola, money
Studies on Zola to the French tank, prepare oral tray by anticipating questions, issues, and openings [/ size] [/ color] [/ b]
Zola money, incipit
http : / / docremuneres.forumparfait.com/zola-l-argent-plusieurs-etudes-questions-problematiques-vt809.html
Zola, silver, chapter 8, the portrait of Saccard
http:/ / docremuneres.forumparfait.com/zola-l-argent-plusieurs-etudes-questions-problematiques-vt809.html
Zola, silver, chapter 8, the Expo
http://docremuneres .forumparfait.com/zola-l-argent-plusieurs-etudes-questions-problematiques-vt809.html
Zola, silver, chapter 12, plead, last page
http://docremuneres.forumparfait.com/zola-l-argent-plusieurs-etudes-questions-problematiques-vt809.html
Explanations are excerpts from the work of Zola, the money to respond to questions, problems and openings
Reading Analytiqs the incipit of "money" Zola
http:/ / docremuneres.forumparfait.com/l-argent-emile-zola-l-incipit-vt691.html
Explanation of Chapter 8 of the book, "Money" Zola's portrait Saccard
http://docremuneres.forumparfait.com/emile-zola-l-argent-description-de-saccard-vt757.html
analytical reading of Chapter 8 of the money Zola Expo
http://docremuneres.forumparfait.com/emile-zola-l-argent-exposition-universelle-vt732.html [/ quote]
Links with reference to the fact sheets tray sequence "novel"
literary techniques: the novel sequence
Lyrics reported, sheet tray
http://docremuneres.forumparfait.com/les-paroles-rapportees-vt509.html
Lexicon and punctuation
http://docremuneres.forumparfait.com/le-lexique-et-la-ponctuation-vt510.html
The value of time and fashion
http://docremuneres.forumparfait.com/la-valeur-des-temps-et-des-modes-fiche-bac-vt491.html
The basic vocabulary sheet tray
http:// docremuneres.forumparfait.com/le-vocabulaire-de-base-pour-le-baccalaureat-de-francais-vt380.html
The rhetorical figures
http://docremuneres.forumparfait.com/les -figures-of-rhetoric-vt379.html
forms of discourse
http://docremuneres.forumparfait.com/les-formes-de-discours-fiche-bac-vt371.html
Records
http://docremuneres .forumparfait.com/fiches-cours-de-francais-les-registres-vt239.html
Glossary definitions in French
http://docremuneres.forumparfait.com/lexique-de-definitions-en -french-vt102.html
Articles literature
http://docremuneres.forumparfait.com/les-articles-en-litterature-vf20.html
The implicit
http://docremuneres.forumparfait.com/l-implicite-vt1284.html
The literary genre: the novel
Naturalism
http://docremuneres.forumparfait.com / the-naturalism-vt846.html
sheet tray, the novel
http://docremuneres.forumparfait.com/le-roman-introduction-vt480.html
identify the literary genre
http://docremuneres.forumparfait.com/identifier-le-genre-litteraire-vt473.html
The fictional character in the twentieth century
http://docremuneres.forumparfait.com/le-roman-au-xxeme-siecle-etude-des-personnages-vt1432.html
TEXTS ON THE CHARACTER OF ROMAN
http://docremuneres .forumparfait.com/textes-sur-le-personnage-de-roman-vt1433.html
The fictional character in the nineteenth century
http://docremuneres.forumparfait.com/le-personnage-de -novel-to-nineteenth-century-vt1434.html
evolution of the novel
http://docremuneres.forumparfait.com/l-evolution-du-genre-romanesque-vt1599.html
The origins of the novel
http://docremuneres.forumparfait.com/les-origines-du-roman-vt1603.html
sequence the novel Don Quixote, Miguel Cervantes' The Ingenious Hidalgo Don
Quixote
Chapter 1
Sequence 1: The fictional character : fantasy mythological being of flesh.
Problem: How the changing character of the novel allows us to understand the evolution of society and its expectations for literature?
text studied in this sequence:
Preview The Pricess of Cleves by Madame de La Fayette.
From Don Quixote Miguel Cervantes.
Preview of 1984 by George Orwell.
Excerpt From Les Miserables by Victor Hugo.
Don Quixote excerpt, read the text, study: issues, problems, opening for the maintenance of intertextuality bin
Request from Sofia, member of the forum, the first ES
Reading Text: Volume 1, Chapter 2
Don Quixote excerpt:
Travelers dreaming of adventures and chivalric values, Don Quixote and his squire Sancho Panza, the hero of the novel by Miguel de Cervantes, highlight, through the effects of shifts, the differences between Spain romantic that they embody and the real, in which they live. The following excerpt shows them arriving at a tavern.
There was adventure at the door of the tavern two young women, those that we call our sisters, which went to Seville with carriers who met that evening at the lodge in the same tavern, and as our adventurer everything he thought, saw, or imagined, seemed to be done and happen the same way he had read, at once that he saw the tavern, he represented that it 'was a castle with four towers and gleaming silver capitals, without its there lacked even a drawbridge and moat hollow, with all accessories and parts that are usually similar in castles. It 's approached the tavern, which seemed castle, and at small line thereof, kept Rocinante, waiting for some dwarf put himself between the slots to give the signal with a trumpet he arrived at the castle a knight, but as he saw that it was late and that Rocinante was hurrying finally arriving at the stable, he approached the door of the tavern and saw the two girls who were laid off there, which seemed to him two fair maidens or two graceful ladies s 'ébattait before the castle gate.
In the meantime, it happened that a swineherd who gathered among the stubble a herd of pigs (for, excuse unless they are called) sounded a horn, the sound of which they are collected, and the time is represented in Don Quixote what he wanted, and that was that some dwarf give the signal of his coming, and and, with extreme satisfaction, he came to the tavern and the ladies, which, as they saw an armed man coming so, with spear and shield, while terrified wanted to withdraw inside the tavern, but Don Quixote, including for their flight that they were frightened, shrugged his pasteboard visor, and discovered his face dry and dusty, a gentle manner and a calm voice said: "May your Thanksgiving does not leak nor fear that they do no displeasure, since it does not belong neither to the seemly order of knighthood which I profess, to harm anyone, how least at such high damsels as demonstrated by your people. "The girls looked at him and tried to see her face, hiding their bad visor. But, as those provisions call damsels heard, something that was so far from their profession, they were able to keep from laughing, so that Don Quixote came to get angry and say, "Modesty is the beautiful and decorous is great folly to laugh that makes light of the facts, but I do not say that ye sorrow or show of discontent, because my intention is simply to serve you. "
Explanations: Analytical Reading
Introduction:
's novel Don Quixote is an adventure novel which introduces a new genre: the picaresque in which a hero is alone and has a succession of adventures. The adventure of the windmills is the best known because it perfectly characterizes the central character Don Quixote. Indeed, it does not give up its illusions and hiding in an imaginary world despite efforts by Sancho Panza to get him back to reality. Besides the appearance and light fancy text, we must see a more profound agreement with the times.
First, we study the linking of two worlds, the universe and the universe trivial ideal. Beyond this opposition, secondly we shall see how the look is fun but still critical.
Problem: How
the changing character of the novel allows us to understand the evolution of society and its expectations for literature ?
Detailed Plan Development:
I) The linking of two worlds
A) the universe
trivial.
prostitutes. Porchet the
.
Tavern B) the universe
ideal. the imagination of Don Quixote
. Everything turns its eyes
. juxtaposition of two worlds being performed entirely by the sound of the horn.
. Nothing can break this world not even the mockery of prostitutes.
II) A critical look amused and
. Narrator present through the implicit cemmentaire and explicit.
. He says, and insists on trivalité to denounce the social idealization in the chivalric romance novel but also in the seventeenth century.
. There is a play on the shift to mock Don Quixote, he is described as a character of paper.
. Thus the character is unreal and ridiculous and plays the role of an actor.
. Sympathy for quixotic as it is a victim and that is littéraure which has made it so.
. The author therefore believes that the littéraure must describe reality, not an ideal fiction.
Conclusion:
The insistence of the author on the world trivalité and offset of novels, céent a review of the literature that is too far from reality.
This novel shows the shift of issues (idealism - realism). In this novel parody, Cervantes chooses realism. Opening
possible:
power, discovering reading, Proust, Sartre, Vallès ...
Intertextuality possible, see the link:
http://docremuneres.forumparfait.com/pouvoir-decouverte-de-la-lecture-proust-sartre-valles-vt2099.html
Notes:
The nature of the novel
"The nature of the novel, if known, the novels were written by officials. The themes of the novels would be saved on software, novels composed by computer. The nature of the novel is unknown. She flies under the spirit of who wrote the novel as the woman flees, while indulging in the hands of her lover, while his own imagination wanders. The nature of the novel is the absence. The novel is not only mobile, he is moving, it turns while it unfolds, it never ignores the next word. The nature of the novel is infinity. The novel is the autobiography in action. The novelist is a creation of each moment. He says " I 'for lie. It affirms man and woman, angel and monster, a young man and old man. He died as many times as necessary. He loves tirelessly. The nature of the novel is sex. The novel is a sexual act. The nature of the novel is a redheaded woman in a dark room, who covets a movie actor. "Earlier, at home, Lexington Avenue. "She closes her eyes and sinking nails into his palms. The nature of the novel is an old man sitting on a folding chair, neck protected from the sun by a handkerchief, looking motionless, dusty landscape. He drinks a orchiatta that brings him a young waiter, whom he believes is vaguely recognize, and drawing from his pocket a book, he attempts to Note that a memory of him comes through the mind. His hand trembles. The nature of the novel is war between desire and memory, between writing and time. The nature of the novel is the impossible. "
Bourgeade Pierre, The nature of the novel
Second part of the interview in French: Issues in oral
I - questions about biography of Cervantes
- Who is Cervantes?
- Locate a century in his
- What is his masterpiece?
- Can we say that Cervantes is the greatest figure in English literature and One of the greatest writers of all time? If yes, why?
- Name one other work by Cervantes
II - Questions about the book Don Quixote de la Mancha
- Can it be said of Don Quixote qui'l is a fine example of a picaresque novel?
- When the second part of the book is it published?
- When both parties are they published?
- In what sense can we speak of influence?
- What do you think of this novel?
Finding answers to these two sets of questions refer to the biography of Cervantes:
Miguel de Cervantes Saavedra (29 September 1547 in Alcalá de Henares - April 23, 1616 in Madrid), is a novelist, poet and playwright English universally famous for his novel The Ingenious Hidalgo Don Quixote de la Mancha, recognized as the first modern novel.
Miguel de Cervantes initially leads an adventurous life as a soldier and fought in the Battle of Lepanto in 1571 where he lost the use of one hand, paralyzed by nerve section and uncut as can think of his nickname Manchot of Lepanto. Captured on his return to Spain by the Barbary pirates in 1575, it remains captive in Algiers despite his escape attempts until 1580 when it was bought at the same with other English prisoners.
Married and separated from his wife and various positions, he then threw himself into writing and post-pastoral novel La Galatea in 1585, that in 1605 he published the first of what will be its chief Manager: The Ingenious Gentleman Don Quixote de la Mancha, the second part did not appear until 1615. His parody of grand romances of chivalry and the creation of mythical characters of Don Quixote, Sancho Panza and Dulcinea Cervantes have made the greatest figure in English literature and one of the greatest writers of all time.
In 1605, he published the first of what will his masterpiece: The Ingenious Gentleman Don Quixote de la Mancha. He scoffs of the most pleasant taste of romantic adventures and chivalrous that dominated in his time. This work marked the end of realism as a literary aesthetic, created the genre of the modern novel that will have a great influence and is probably the finest example of a picaresque novel. The second part does not appear before 1615: The ingenious knight Don Quixote de la Mancha. This part gets two years after the publication of a series of mysterious fake signed Alonso Fernández de Avellaneda, which some historians, was none other than the writer Lope de Vega, or at least one of his disciples and friends, a native of Aragon (believed also to a group of friends to Lope).
Both works give him a status in the history of world literature, along with Dante Alighieri, William Shakespeare, Rabelais, and Goethe as an author must of Western literature. Honore de Balzac tribute in his foreword to the Human Comedy, which he cites as one of his inspirations alongside Goethe and Dante. And more precisely in Lost Illusions, where he described Don Quixote sublime
House occupied by the writer in Valladolid between 1604 and 1606 and could coincide with the publication of the first edition of Don Quixote in 1605. It is now a muséeEntre both parts of Don Quixote appeared in 1613 the New copies. It is a collection of twelve short stories, written many years ago.
The influence of Cervantes in the world literature was such that English is often called the "language of Cervantes."
He died in Madrid April 23, 1616 where he is buried with his wife, daughter and that of Lope de Vega, the convent of Las Trinitarias
Presentation Wikipedia:
http://fr.wikipedia .org / wiki / Miguel_de_Cervantes
III - Questions about the sample:
The staging of both worlds:
- Show how the power of reading the novels of chivalry, the hero reflects on his vision of reality.
- In what sense can one speak of an opposition of two worlds? Quote text
- Raise the lexical field on the trivial universe
- What are the elements symbolizing the universe? Quote text.
- How do you see the ideal world?
- Analyze the vocabulary that reflects the imagination of Don Quixote. Quote text and note the contrast effects.
- Can we talk about transformation of reality?
- In what sense can we say that everything is transformed in his eyes?
- What role plays cornet on?
- The juxtaposition of two worlds you it totally takes the sound of the horn?
- How he reacts to Don Quixote and mocking laughter of prostitutes?
- This changes the behavior you it?
The look amused and critical
- Which point of view the narrator takes on?
- In what sense can one speak of an amused and critical?
- How does the narrator inist you it on the trivial?
- Seeking to you it denounce the social idealization in the novel of chivalry and romance in the seventeenth century?
- How do we perceive the game on the shift of Don Quixote to mock?
- What image we have of Don Quixote? Quote text.
- Beyond this aspect, how the author thinks you it literature?
- Does it describe reality or fiction?
- What is the main criticism of literature?
Look it:
Study of Don Quixote, Cervantes
Chapter 1: The novel study, questions, problems opening
http://docremuneres.forumparfait.com/don-quichotte-cervantes-chapitre-1-etude-questions-pb-vt2528.html
Chapter 2: The novel, studying, reading extract, problems, issues, problems, links around the sequence "the novel, complementary texts
http://docremuneres.forumparfait.com/don-quichotte-cervantes-tome-1-chapitre-2 vt2525.html-
Apply link aggregation of documents, studies and fact sheets about bin sequences French vat: AN EXAMPLE CLUSTER LINKS
footage first ES series: Sofia, forum member
Sequence: The novel
Sequence 1: The character of the novel: fantasy mythological being of flesh.
Problem: How the changing character of the novel allows us to understand the evolution of society and its expectations for literature?
text studied in this sequence:
Preview The Princess of Cleves Madame de La Fayette.
From Don Quixote Miguel Cervantes.
Preview of 1984 by George Orwell.
Excerpt From Les Miserables by Victor Hugo.
Others: Additional texts: consult (the additional texts are essential to prepare for your interview)
Excerpt from Book III of "Metamorphoses" of Ovid.
From The Red and the Black by Stendhal. Excerpt from
Horla de Maupassant. Preview
Mirror leaking of Giovanni Papini.
table Johannes Gumpp "Self-portrait".
Extract Money by Emile Zola.
From "Antony" by Alexandre Dumas.
From The Lover by Harold Pinter.
Excerpt from scene 9 of Act III of Turkey by Georges Feydeau. Links with reference to the sequence "the novel"
Studies, questions, problems, texts openings
Don Quixote, Miguel Cervantes http://docremuneres.forumparfait.com / power-discovery-of-the-reading-proust-sartre-valles-vt2099.html
Geor Orwell, 1984
http://docremuneres.forumparfait.com/george-orwell-vf190.html
Additional texts, Zola, money
Studies on Zola to the French tank, prepare oral tray by anticipating questions, issues, and openings [/ size] [/ color] [/ b]
Zola money, incipit
http : / / docremuneres.forumparfait.com/zola-l-argent-plusieurs-etudes-questions-problematiques-vt809.html
Zola, silver, chapter 8, the portrait of Saccard
http:/ / docremuneres.forumparfait.com/zola-l-argent-plusieurs-etudes-questions-problematiques-vt809.html
Zola, silver, chapter 8, the Expo
http://docremuneres .forumparfait.com/zola-l-argent-plusieurs-etudes-questions-problematiques-vt809.html
Zola, silver, chapter 12, plead, last page
http://docremuneres.forumparfait.com/zola-l-argent-plusieurs-etudes-questions-problematiques-vt809.html
Explanations are excerpts from the work of Zola, the money to respond to questions, problems and openings
Reading Analytiqs the incipit of "money" Zola
http:/ / docremuneres.forumparfait.com/l-argent-emile-zola-l-incipit-vt691.html
Explanation of Chapter 8 of the book, "Money" Zola's portrait Saccard
http://docremuneres.forumparfait.com/emile-zola-l-argent-description-de-saccard-vt757.html
analytical reading of Chapter 8 of the money Zola Expo
http://docremuneres.forumparfait.com/emile-zola-l-argent-exposition-universelle-vt732.html [/ quote]
Links with reference to the fact sheets tray sequence "novel"
literary techniques: the novel sequence
Lyrics reported, sheet tray
http://docremuneres.forumparfait.com/les-paroles-rapportees-vt509.html
Lexicon and punctuation
http://docremuneres.forumparfait.com/le-lexique-et-la-ponctuation-vt510.html
The value of time and fashion
http://docremuneres.forumparfait.com/la-valeur-des-temps-et-des-modes-fiche-bac-vt491.html
The basic vocabulary sheet tray
http:// docremuneres.forumparfait.com/le-vocabulaire-de-base-pour-le-baccalaureat-de-francais-vt380.html
The rhetorical figures
http://docremuneres.forumparfait.com/les -figures-of-rhetoric-vt379.html
forms of discourse
http://docremuneres.forumparfait.com/les-formes-de-discours-fiche-bac-vt371.html
Records
http://docremuneres .forumparfait.com/fiches-cours-de-francais-les-registres-vt239.html
Glossary definitions in French
http://docremuneres.forumparfait.com/lexique-de-definitions-en -french-vt102.html
Articles literature
http://docremuneres.forumparfait.com/les-articles-en-litterature-vf20.html
The implicit
http://docremuneres.forumparfait.com/l-implicite-vt1284.html
The literary genre: the novel
Naturalism
http://docremuneres.forumparfait.com / the-naturalism-vt846.html
sheet tray, the novel
http://docremuneres.forumparfait.com/le-roman-introduction-vt480.html
identify the literary genre
http://docremuneres.forumparfait.com/identifier-le-genre-litteraire-vt473.html
The fictional character in the twentieth century
http://docremuneres.forumparfait.com/le-roman-au-xxeme-siecle-etude-des-personnages-vt1432.html
TEXTS ON THE CHARACTER OF ROMAN
http://docremuneres .forumparfait.com/textes-sur-le-personnage-de-roman-vt1433.html
The fictional character in the nineteenth century
http://docremuneres.forumparfait.com/le-personnage-de -novel-to-nineteenth-century-vt1434.html
evolution of the novel
http://docremuneres.forumparfait.com/l-evolution-du-genre-romanesque-vt1599.html
The origins of the novel
http://docremuneres.forumparfait.com/les-origines-du-roman-vt1603.html
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